Continuous Wave: “The Price I Pay To Be Free,” and the Timeless Radio of Richard Durham

Each week, journalist Julia Barton whips out her fascinating online newsletter, Continuous Wave. It explores the forgotten history of broadcast and all electronic media, and she recently featured an excerpt from my biography of Radio Hall of Fame writer Richard Durham.

Please see Julia’s introduction to her post below,  and then check out her newsletter excerpt on Durham by clicking on The Price I Pay to be Free link.

Happy Reading!

Note from Julia: I’ve said it before — US network radio in the 1920s and 1930s was an absolute embarrassment when it came to race. Not only did early radio deploy crude ethnic stereotypes — with popular shows like Amos’n’Andy built around the “racial ventriloquy” of white men depicting Black characters — but it was almost impossible for actual Black people to get on network air as themselves, or Black writers to get dramatic scripts past gatekeepers.

That started to change with the onset of US involvement in World War II, as the government, which needed enlistment and buy-in from Black communities, asked radio to open its doors to more voices and points of view. From this opening came a new generation of Black radio actors and writers. One of the best was Richard Durham, a journalist with the Chicago Defender who in 1948 started the history series Destination Freedom on Chicago’s NBC powerhouse affiliate WMAQ (ironically, the same station where Amos’n’Andy got its start).

Howard University professor Sonja D. Williams has written a fascinating biography of Richard Durham called Word Warrior: Richard Durham, Radio, and Freedom. Williams is also a Peabody-award-winning audio producer, and it was in the course of researching the Smithsonian’s documentary series Black Radio: Telling It Like It Was that she first encountered Durham’s work. “I was struck by this series’ lyricism, dramatic flair, and fiery rhetoric,” she writes.

Today, with Williams’ permission, we’re bringing you the story of Destination Freedom, an excerpt from Word Warrior. After this, I hope that if you haven’t already, you’ll go read the whole book. Here’s Sonja Williams:

“The Price I Pay to Be Free” Sonja D. Williams on the timeless radio of Richard Durham

 

Accepting the 2025 Edward L. Bliss Award for Distinguished Broadcast Journalism Education – Yay!!

On August 8th in San Francisco, California, I became this year’s receipient of the annually-awarded (since 1983)  Edward L. Bliss Award for Distinguished Broadcast Journalism Education from the Broadcast and Mobile Journalism division of the Association for Education in Journalism and Mass Communications.

As the first African American woman and only the sixth woman to receive this national recognition, I was blown away by this honor!

For 25 years at CBS News in New York City, Edward L. Bliss served as a producer, writer and editor for legendary journalists like Edward R. Murrow and Walter Cronkite. Then in Washington, DC, Bliss went on to develop American University’s journalism program, nurturing its growth for nearly 30 years.

So needless to say, receiving this award in Bliss’ name was an exciting and a humbling experience.

This photo features the Howard University Cathy Hughes School of Communications alumni who attended the ceremony, including (front row) Dr. Rochelle Ford & Jane Philpott; (back row) Charles Turner, Pendarvis Harshaw, Dr. Kimberly Moffitt – HU School of Communications Dean, Dr. George Daniels & Mela Woods. The other photograph features Bliss Award Committee chair, Dr. William Silcock and I.

And if you’re so inclined, feel free to click on the link below to see videos of Dr. Moffitt’s and Dr. Ford’s speeches, the Bliss Award tribute video and my acceptance speech.

Enjoy and thanks so much for your support!

Bliss Tribute Videos

An Interview About Black Radio History and A Personal Journey

Last month, Mitra Kaboli one of the producers of Selects – a monthly show that unearths audio gems from the past –  interviewied me about my work as an audio documentary writer and producer.

Specifically, Mitra asked about my radio background and the role I played in the production of the Smithsonian Institution’s Peabody Award-winning documentary series, Black Radio: Telling It Like It WasGrammy Award winning singer and artist Lou Rawls served as the series’ host.

To hear the interview, click here.

And enjoy!

 

 

 

June Is Busting Out all Over – As is Black Music Month!

As this days of this month roll along, there’s still time to celebrate Black Music Month and African American music in all its forms.

With that in mind, feel free to check out this rendition of the spiritual Deep River, as performed by my choir – the Prince George’s County Choral Society, based at Bowie State University in Bowie, Maryland.

Enjoy it and more Black musical creativity as the summer heats up!

 

Spring is Here…Along with Some Great Choral Music!

If Spring showers, flowers and music bring you joy, you might want to check out the Prince George’s County Choral Society’s (PGCCS) upcoming concert.

The PGCCS will celebrate this season of blossoms on Saturday, May 17, 2025 at 5:00pm in the Recital Hall of the Fine and Performing Arts Building of Bowie State University. The University is located at 14000 Jericho Park Road, Bowie, Maryland, 20715.

Be prepared to be touched by the sounds of spirituals and the original compositions of African American composers. The PGCCS is lead by the very capable hands of choral director, teacher and composer, Dr. Edryn Coleman.

And as a proud PGCCS member, I hope to see you there!

 

 

 

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